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The Papelipolas
Los Papelípolas or The Papelipolas was a group of artists from Huila Department, in the Republic of Colombia arising in the year 1958. Their productions in the fields of theater, the narrative, the drawing, the cinema, the television and especially in the poetry, have been widely recognized and disseminated, even several decades after its dissolution. It was disbanded in the mid-1960s, and the components continued writing independently. The group's name is ''papel'' (paper in Spanish) and ''pola'' (''cerveza'' or beer).
==The components==
The group's regular payroll poetic Los Papelípolas is limited to six authors: Gustavo Andrade (highlighted in the fields of drama prize, winner in France, Spain, Costa Rica, among others, in film as screenwriter of the film ''The River of the Tombs''; librettist of radio, television and short film director and producer of ''La Cantina de José Dolores''). The others were apathetic to the events and to the movies, but with valuable works: Angel Sierra Basto (pseudonym of Victor Manuel Cortes Vargas, poet, education engine in the Huila, and politician, author of ''Dimensions'', 1963 and ''Xenias & Apophoretas of Menein Laos'', 1994), Dario Silva Silva (poet and current Archbishop of House on the Rock, one of the forty most influential men of Colombia according to ''Semana'' magazine); Ruben Morales Buendía (erotic poet and one of the first cartoonists Huila), Julian Polanía Perez (poet and politician, author of ''The concept of Grief'', 1958, and ''Narration of the Living Faces'', 1963) and Luis Ernesto Luna (poet, bureaucrat, dedicated to political propaganda, author of ''Memory of Silence'', 1988). Delimiro Moreno in his work ''The Papelípolas, Poetic Essay on a Generation'' (1995) added to Armando Ceron Castillo (author of ''Beyond Words'', 2010 ) and then talked about Camilo Lara Cuenca as an appendix of them, with a recently published poetic production (''Así Canta mi Lira'', 2005), almost posthumously. The themes and style of these poets were always very heterogeneous group, as their spiritual and political ideology.
Two of them, especially with shared affinities with the Beat Generation: Angel Sierra Basto and Luis Ernesto Luna.
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